Thoughts on Contemporary Music
What is contemporary idiom? The story of twentieth-century music is the search for new sounds inspired by the machine age. New instruments, new techniques with traditional instruments and voices have brought forth new concepts of melody, harmony, and rhythm. More specifically, we are looking for pieces that are distinctly different from past periods; we are searching for writing that breaks from traditional expectations in pursuit of a new musical language.
*A piece of music may be classified as belonging to the contemporary idiom if it includes any of the following:
Compositional techniques, devices and effects
ALEATORY OR CHANCE MUSIC OSTINATO
INSIDE THE PIANO TONE CLUSTERS
MIRROR WRITING TONE ROWS
SYMPATHETIC VIBRATIONS SERIAL COMPOSITION
FRAGMENTED, ASYMMETRICAL MELODIES NON-TRADITIONAL NOTATIONS
ADDITIONS OF NON-MUSICAL SOUNDS “PREPARED” INSTRUMENTS
Harmonic devices
ADDED NOTE CHORDS CHORDS UNRELATED TO MAJOR-MINOR SYSTEM
CHORD CLUSTERS TRITONES
BITONALITY QUARTAL AND QUINTAL HARMONIES
PARALLEL CHORDAL MOVEMENT SEVENTH AND NINTH CHORDS
ATONALITY DISSONANCE
POLYTONALITY CHROMATICISM
Rhythm and meter
ASYMMETRIC METERS MULTIMETRIC
SHIFTING OR IRREGULAR METERS POLYMETRIC
BARLESS SYNCOPATION (including ragtime)
Tonalities and scales
HUNGARIAN MINOR MODAL SCALES
JAPANESE SCALES PANDIATONIC
SYNTHETIC SCALES PENTATONIC
WHOLE TONE SCALE POLYTONAL
Other considerations of contemporary music include:
- Non-traditional use of the instrument (such as tapping, knocking, plucking).
- Any piece imitating the sound of a machine.
- Chords built on the interval of a fourth, fifth, or second.
- Any scale that is not major or minor (modes, 12-tone, whole tone, etc.)
- Aleatory (“Chance Music”) where portions of the composition are played at random according to the performer’s whim.
- Bitonal music where there is simultaneous use of different keys in different parts of the piece.
*Lists and definitions by Myklas publishing and other Contemporary Music Sources.
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